Tag

festival of new trumpet music

August 24, 2011

CELEBRATE KENNY WHEELER AT THE JAZZ STANDARD

FONT logo

THE 9TH ANNUAL FESTIVAL OF NEW TRUMPET MUSIC
CELEBRATES TRUMPETER/COMPOSER KENNY WHEELER AT THE JAZZ STANDARD

 (New York City, NY) – JAZZ STANDARD, one of the nation’s premier jazz clubs, presents the 9th Annual Festival of New Trumpet Music (FONT) series, “Kenny Wheeler Celebration,” from Thursday, October 20, through Sunday, October 23, 2011. Program schedule and artist bios are outlined below.

The FONT series celebrates Kenny Wheeler, one of the most creative and iconic of progressive trumpeters. Wheeler, a Canadian residing in the UK since 1952, celebrated his 81st birthday this year. He will make a rare New York appearance in this series devoted to his music and vision.

The Festival also presents a cadre of progressive New York trumpeters, among them Ingrid Jensen, Shane Endsley, Nate Wooley, Jonathan Finlayson, Tony Kadleck, and Jon Owens. As part of this celebration, Kenny Wheeler will be featured with Ingrid Jensen + Brass, will play his music alongside John Hollenbeck’s Large Ensemble, and will also convene a New York Quintet, featuring Jon Irabagon, Craig Taborn, Matt Brewer, and Rudy Royston.

Kenny Wheeler commented on being honored by FONT Music and returning to NYC:  I first came to New York in the late 40′s. I was with a big band attached to the American forces and I had joined with the sole purpose of getting to New York. I just wanted to find and maybe talk to Miles. I couldn’t find him but in the process I had a really short (even for me) conversation with Charlie Parker. I was so disappointed I had missed Miles that it wasn’t until hours later I realized I had actually spoken to Bird! By that time though New York had gone from being in my head to being in my blood, heart and soul. It’s where most of the Jazz I listened to before and after that trip was born.

Although I have played in New York a few times over the years every time I come back I still feel the same excitement I felt that first time I visited all those years ago. For me New York is the place to play. The fact that I am being honored with a New York week and that so many fantastic trumpet players are involved is overwhelming. I am so proud and, before my nerves get the better of me, I would just like to say thank you to all of the people who have put this event together and thank you to New York for giving me the opportunity to come back and play here again.

Read More

January 14, 2010

Brassix live this Sat 10pm at the Stone

FONT’s all over town this week. After the 9:00 set at Abrons head a few blocks up to the Stone to hear Reut Regev’s Brassix.

Brassix is a six piece Brass band that I put together about two years ago when I was commissioned by the Festival of New Trumpet Music to write a piece for Brass.

I wrote a composition that is some type of a musical game for five Brassists and a drummer. There are some written complete pieces within the somposition, as well as some written smaller fragments and some directed improvisation. The different parts are cued visually, audibly, and environmentally.

Brassix performed the piece at the Festival of new Trumpet music, 2008.

Its been two years, and the piece has been begging me to be played again!

So, this Sat, Jan 16th, at the Stone, Ave C and 2nd St in NYC, we are doing it.

Reut Regev- Trombone, Flugabone, Baritone Horn, Slide Trumpet, composition
Frank London – Trumpet, Alto Horn, Piccolo Trumpet
James Zollar – Trumpet
Mark Taylor – French horn, Mellophone, Trumpet
Jay Rozen – Tuba, Euphonium
Igal Foni – Drums, Brass percussion

I feel extremely fortunate to have all these fantastic musicians and improvisers join me in this experimental musical game.

By the way, in case you are not familiar with The Stone, it is a not-for-profit performance space dedicated to the
EXPERIMENTAL and AVANT-GARDE. 100% of the cover charge goes directly to musicians… and the cover is $10.

Hope to see you there!

Reut

The Stone – http://thestonenyc.com/index.html
The facebook event – http://www.facebook.com/event.php?eid=246818013709&index=1
My website – http://www.reutregev.com/
My youtube page – http://www.youtube.com/user/truerr
The Festival of New Trumpet Music – which is happening again this week & weekend! https://fontmusic.org/

Brassix, The Stone, this Sat, Jan 16th, 10pm, $10, Ave C & 2nd st, yes!

January 10, 2010

Forward to Philly

If you can’t make it to NYC for this weekends Forward Flight series and you’re close to Philadelphia, check out three of the great groups on Sunday, Jan 17 at the Ars Nova Workshop at International House Philidelphia.

Ars Nova Workshop, in partnership with the New York-based Festival of New Trumpet (FONT), is pleased to present the first annual FONT Philadelphia mini-festival showcasing three adventurous projects. Curated by Taylor Ho Bynum and Dave Douglas.

Open Circuit International Trumpet Ensemble

Taylor Ho Bynum (USA), cornet
Jean-Luc Cappozzo (France), trumpet
Franz Hautzinger (Austria), trumpet
Joe McPhee (USA), trumpet
Itaru Oki (Japan/France), trumpet
Herb Robertson (USA) , trumpet
William Parker (USA), bass
John Betsch (USA/France), drums

Meridian Arts Ensemble + Dave Ballou

John Ferrari, drums
Daniel Grabois, horn
Benjamin Herrington, trombone
Brian McWhorter, trumpet
Jon Nelson, trumpet
Raymond Stewart, tuba
Dave Ballou, trumpet

Chicago Underground Duo

Rob Mazurek, cornet + electronics
Chad Taylor, percussion

International House Philadelphia
3701 Chestnut Street
Philadelphia, PA 19104 Map
Price: $12 General Admission
TICKETS

December 22, 2009

Stream from FONT celebrates Woody Shaw

Festival of New Trumpet Music
Celebrates Woody Shaw (1944-1989)

The Woody Shaw Legacy Ensemble: Brass Knights
At the Jazz Standard, New York

Sean Jones with Ezana Edwards, Nick Roseboro, trumpets; Mulgrew Miller, piano; Dwayne Burno, bass; musical director Victor Lewis, drums; Woody Louis Armstrong Shaw III, Producer

MUSIC (all by Shaw)
Joshua C
The Moontrane
Katrina Ballerina
Sweet Love of Mine (Woody Shaw III on drums)
Stepping Stone

Stream it on demand at jazzset.npr.org after December 24, the 65th anniversary of Woody Shaw’s birth.

October 5, 2009

All the Brilliant Trumpets

October 4th, 2009 | Author: Dave Douglas


Bobby Bradford accepting the FONT 2009 Award of Recognition

This week I heard a recording of the music Nadje Noordhuis wrote for FONT this past June. What a beautiful sound and thoughtful composer. She says she’s recording it soon and I recommend checking that out if you can.

Ambrose Akinmusire shared the stage with Avishai Cohen — truly inspiring to see trumpeters playing TOGETHER. No competition, just music. Clearly pushing each other to new creative heights, playing original music and a few re-arrangements of music by Bobby Bradford. They say there’s nothing new under the sun, but when you see two creatively and technically gifted trumpeters side by side playing in two widely divergent styles it just drives home how many personal developments have taken place on this instrument in the past decade or so. Those developments are shot through all the music of our time, on all instruments, but hearing these two trumpeters it couldn’t be any clearer. Both of these guys are pushing new frontiers in terms of phrasing, intervallic leaps, and rhythmic interplay with the rhythm section. Most of all — leaps of imagination. Let it be said that the rhythm section was exemplary and constantly inventive – Vijay Iyer, Chris Tordini, and Marcus Gilmore.

On Friday Jeremy Pelt invited Eddie Henderson and David Weiss with the rhythm section of Marc Cary, Vicente Archer, and Gerald Cleaver. I’m not being sarcastic or ironic when I say it made me want to go home and practice. I love Jeremy’s sound and fluid facility. He has also been important to FONT as a board member, and every time he has a chance he highlights his hero Dr. Eddie Henderson, who played just as beautifully and lucidly as ever. They played some engagingly rearranged Bobby Bradford pieces and originals. It’s such a pleasure to hear a three trumpet gig that isn’t a high note fest, a rehash of old classics, or a battle of one-up-manship. Just pure music made now in our time.

Peter Evans and Nate Wooley joined me yesterday for a short performance and discussion of “extended techniques” for the trumpet. I’m putting that in quotes because we all had the same point to make that these kinds of things have been around a long time. Peter made a good point about Round Midnight being the first major bestselling example of extended trumpet techniques. Breathy, close-miked harmon mute with a lot of reverb and microtonal pitch bending? How bizarre!

That aside, there really are things these two guys are doing that have only developed in the last decade or so. Trumpeters like Peter and Nate, Greg Kelley, Axel Doerner, Ed Harkins, Franz Hautzinger, Jaimie Branch, and others (if you know of others I’m leaving out, please reply in the comments or send me an email) have started using split tones, circular breathing, slap tonguing and many other techniques as the basis for their music. Nate said a lot of the impetus for the work he’s doing comes from listening to electronic music and sound/noise music. That kind of makes sense when you hear his uninterrupted tones affected by sheets of aluminum flashing covering the bell–with your eyes closed you would be hard pressed to identify it as trumpet music. When asked why he started developing these sonic resources on the trumpet, Peter said he does it because it’s fun. It was fun playing with Peter and Nate, I hope we get a chance to do it again some time. The session was recorded and FONT will produce a transcript of the conversation and possibly some sound samples.

Bobby Bradford played a beautiful gig with David Murray, Marty Ehrlich, Mark Dresser and Andrew Cyrille last night. I’m going to hear the Octet tonight. Bradford is being given the FONT Award of Recognition (the recipient is chosen democratically by the membership each year) this evening, and it is hard not to get emotional in seeing this cornetist and composer celebrating with a great band in NYC. Sold out houses were there to cheer him on and the music was rich and powerful.

Dave Douglas

October 1, 2009

FONT this weekend “IN HONOR OF BOBBY BRADFORD”

OCT 1-4: FESTIVAL OF NEW TRUMPET MUSIC (FONT)

“IN HONOR OF BOBBY BRADFORD”

Jazz Standard NYC
116 E. 27th Street
Tickets:
www.jazzstandard.net/

OCT 1: AMBROSE AKINMUSIRE QUARTET plus special guest Avishai Cohen
SET 1, 7:30 PM | SET 2, 9:30 PM

OCT 2: JEREMY PELT plus special guests Eddie Henderson and David Weiss
SET 1, 7:30 PM | SET 2, 9:30 PM | Set 3, 11:30 PM

OCT 3: BOBBY BRADFORD QUINTET featuring DAVID MURRAY
SET 1, 7:30 PM | SET 2, 9:30 PM | Set 3, 11:30 PM

OCT 4: BOBBY BRADFORD OCTET featuring DAVID MURRAY
SET 1, 7:30 PM | SET 2, 9:30 PM

September 16, 2009

Free Tickets to a Clean Feed Show

FONT is offering free tickets for this weekend’s Clean Feed double bill: Bay Area trumpeter Darren Johnston and NYC’s own Kirk Knuffke. Saturday, September 19, 2009 at 8pm, at the Cornelia Connelly Center in NYC.

With Bobby Bradford coming to town in a couple weeks for the next FONT series we decided to get things going with a little pop quiz.

“Name 3 brass players Bobby Bradford has recorded alongside during his career (either as a sideman or a leader.) First 10 people that email us at with a correct answer get one free ticket.”

Bobby will be in NYC October 3 & 4 accepting FONT’s Award of Recognition, and performing alongside Baikida Carroll, David Murray, Marty Ehrlich, Mark Dresser, Benny Powell, and Andrew Cyrille.

September 14, 2009

FONT in New York Times annual Fall ARTS Preview

Today’s New York Times features its annual Fall ARTS Preview section. It spotlights FONT. View online HERE.

OCTOBER

FESTIVAL OF NEW TRUMPET MUSIC The annual trumpet-centric series engineered by Dave Douglas pays tribute to Bobby Bradford, the Los Angeles improviser associated with Ornette Coleman and John Carter. It brings Mr. Bradford together in a band with the saxophonist David Murray, and also presents other bands led by the excellent younger players Ambrose Akinmusire and Jeremy Pelt. Oct. 1-4, Jazz Standard, jazzstandard.com. (B. R.)

September 13, 2009

avishai cohen interview

IN-DEMAND jazz trumpeter Avishai Cohen is returning to New York’s Festival of New Trumpet Music to perform with musical prodigy Ambrose Akinmusire, writes Robert Clayton.

And Avishai is full of praise for the winner of both the 2007 Carmine Caruso International Jazz Trumpet Solo Competition and 2007 Thelonious Monk International Jazz Competition.

He said: “Ambrose contacted me and asked if I wanted to perform with him at the festival on October 1 at New York’s Jazz Standard.

“He is an incredible young trumpeter and I am always happy to work with and support him.

READ THE REST HERE.

August 23, 2009

underground: redux

This summer’s New Trumpet Underground had a lot of great music.
We’ll be posting highlights from each set over the next few months at our MySpace page as we also get ready for October’s “In Honor of Bobby Bradford” at The Jazz Standard.

Let’s start at the beginning.
First night, first set.
Greg Bobulinski G-Men: Greg Bobulinski (trumpet & flugelhorn), Daniel A. Weiss (organ), Tom Kirchmer (bass), Ed Balsamo (drums)
Back at the Chicken Shack



www.bagofjazz.com

All recording and photos by Scott Friedlander.

August 15, 2009

LES MAÎTRES FOUS

Nice post on this summers New Trumpet Underground at LES MAÎTRES FOUS.

Durant mon séjour à New York, j’aurai eu la chance d’assister à la dernière soirée du Festival of New Trumpet de cette année. Le FONT est fondé en 2003 par les trompettistes Roy Campbell Jr. et Dave Douglas avec pour mission la promotion des musiques et musiciens actuels privilégiant l’usage de la trompette dans une démarche créative. Outre l’organisation d’un festival annuel (dont la première édition a eu lieu au Tonic, club mythique désormais fermé, en août 2003) et de concerts ponctuels, cette plate-forme s’investit également dans la commande d’oeuvres, par exemple à Peter Evans ou à la formation de Laura Andel, Taylor Ho Bynum et Gamelan Son of Lion (un Cd à venir sur l’excellent label Creative Sources). On doit aussi au FONT le retour sur la scène new-yorkaise de l’immense Bill Dixon.

Read the rest ici